Mostrar mensagens com a etiqueta Barry Galbraith. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Barry Galbraith. Mostrar todas as mensagens

quinta-feira, 7 de julho de 2011

Coleman Hawkins - The Hawk Flies High (1957)

Coleman Hawkins' 1957 session for Riverside, aside from an oral documentary record in a short-lived series, was his only recording for the label under his name. Yet producer Orrin Keepnews had the good sense to invite the legendary tenor saxophonist to pick his own musicians, and Hawkins surprised him by asking for young boppers J.J. Johnson and Idrees Sulieman in addition to the potent rhythm section of Hank Jones, Oscar Pettiford, Barry Galbraith, and Jo Jones. The two days of sessions produced a number of strong performances, with Hawkins still very much at the top of his game, while both Johnson and Sulieman catch fire as well. Even though most of the focus was on new material contributed by the participants, the musicians quickly adapted to the unfamiliar music, especially the leader's old-fashioned swinger "Sancticity" (which sounds like it could have been part of Count Basie's repertoire) and the pianist's tightly woven bop vehicle "Chant." Hawkins was one of the great ballad interpreters, and his majestic performance of the standard "Laura" is no exception. The 2008 reissue in the Keepnews Collection series uncovered no previously unissued material, though expanded liner notes by the producer and improved 24-bit remastering make this edition an improvement over earlier versions.
By Ken Dryden in All Music Guide

Styles:
Mainstream Jazz

Tracks
01 - Chant (05:08)
02 - Juicy Fruit (11:20)
03 - Think Deep (03:27)
04 - Laura (04:36)
05 - Blue Lights (05:47)
06 - Sancticity (09:12)

Line-up:
Coleman Hawkins - tenor sax
Idrees Sulieman - trumpet
JJ Johnson - trombone
Hank Jones - piano
Barry Galbraith - guitar
Oscar Pettiford - bass
Jo Jones - drums.

terça-feira, 15 de junho de 2010

George Russell - New York, N.Y. (1959)

George Russell was one of the most forward-thinking composers and arrangers on the jazz scene during the 1950s, but his work was generally more appreciated by musicians than the jazz-buying public. New York, New York represents one of many high points in his career. He assembled an all-star orchestra, including pianist Bill Evans (a frequent participant on Russell's recordings), Art Farmer, Bob Brookmeyer, John Coltrane, and Milt Hinton, among others. In Rodgers & Hart's "Manhattan," Russell has the soloists playing over the orchestra's vamp, while he also creates an imaginative "East Side Medley" combining the standards "Autumn in New York" and "How About You." His original material is just as striking as his arrangements, while vocalist Jon Hendricks serves as narrator between orchestra segments. While this release has been reissued several times, it rarely remains in print for long, so don't miss the opportunity to acquire this elusive CD.
by Ken Dryden in All Music Guide

Styles:
Post-Bop

Tracks:
01 - Manhattan (10:34)
02 - Big City Blues (11:40)
03 - Manhattan: "Rico" (10:12)
04 - East Side Medley: Autumn in New York / How About You? (8:01)
05 - A Helluva Town (5:01)

Line-up:
George Russell - arranger, conductor
Art Farmer - trumpet
Doc Severinson - trumpet
Ernie Royal - trumpet
Bob Brookmeyer - trombone
Frank Rehak - alto saxophone
Tom Mitchell - alto saxophone
Hal McKusick - alto saxophone
John Coltrane - tenor saxophone
Sol Schlinger - baritone saxophone
Bill Evans - piano
Barry Galbraith - guitar
Milt Hinton - bass
Charlie Persip - drums
Jon Hendricks - vocals, narration