Mostrar mensagens com a etiqueta Donald Bailey. Mostrar todas as mensagens
Mostrar mensagens com a etiqueta Donald Bailey. Mostrar todas as mensagens

sexta-feira, 29 de outubro de 2010

Jimmy Smith - Back at the Chicken Shack (1960)

Back at the Chicken Shack is one of organist Jimmy Smith's classic Blue Note sessions, and the first to draw attention to tenor saxophonist Stanley Turrentine. Recorded in 1960 with Kenny Burrell on guitar, Donald Bailey on drums, and Turrentine, the group reaches the peak of funky soul-jazz that all other challengers of the genre would have to live up to. Included on this uptempo session is a reworking of "When I Grow Too Old to Dream" (a feature for Turrentine), Turrentine's "Minor Chant," two Smith compositions, "Messy Bessie" as well as the set's notable title cut, and the CD-only bonus track, "On the Sunny Side of the Street." Smith's Midnight Special album was recorded at these same sessions, and is also exceptional.
by All Campbell in All Music Guide

Styles:
Jazz Blues
Soul

Tracks:
01 - Back at the Chicken Shack (8:01)
02 - When I Grow Too Old to Dream (9:54)
03 - Minor Chant (7:30)
04 - Messy Bessie (12:25)
05 - On the Sunny Side of the Street (5:45)

Line-up:
Jimmy Smith - organ
Kenny Burrell - guitar
Stanley Turrentine - tenor saxophone
Donald Bailey - drums

terça-feira, 2 de fevereiro de 2010

Jimmy Smith - The Sermon! (1958)

The seven sides on The Sermon! (1958) come from a pair of studio dates, the first of which was held August 25, 1957 and includes Jimmy Smith (organ), Lee Morgan (trumpet), George Coleman (alto sax), Curtis Fuller (trombone), Eddie McFadden (guitar), Kenny Burrell (guitar) and Donald Bailey (drums). This was followed by a second exactly six months (to the day) later on February 25, 1958. Along with Smith, present and accounted for during the session were Lou Donaldson (alto sax) replacing Coleman in addition to contributions from Tina Brooks (tenor sax) and the ubiquitous Art Blakey (drums). From the '57 confab are the popular music standards "S'Wonderful" and "Blue Room". The former is given an unhurried mid-tempo workout as Morgan banters sublime licks with McFadden. Fuller's full round tones effortlessly manoeuvre "Blue Room" with the intimate trio of Bailey and Smith in support. The real essence can be heard in the variety of styles utilized in the latter gathering. An emotive "Lover Man" is punctuated by Donaldson's fluid leads behind Smith's heartfelt changes. This is sharply distinguished by the longer jams featuring Burrell, Blakey and mighty impressive blows throughout from Morgan and Brooks. They ride hard on the Bird classics "Confirmation" and an intense "Au Privave". Brooks' solos are much of the reason why each excels with such bop finesse and are best experienced rather than simply read about. "Flamingo" is a sumptuous ballad that allows Morgan and Burrell to trade some laid back lines within the context of an unencumbered rhythm section. Whether upgrading the mid ‘80s CD or discovering the platter for the first time, The Sermon! is a prime example of Smith and company's myriad of talents.
by Lindsay Planer at All Music Guide

Style:
Hard Bop
Soul Jazz

Tracks:
01 The Sermon
02 J.O.S.
03 Flamingo

Line-up:

Jimmy Smith - organ
Lee Morgan - trumpet
Lou Donaldson - alto saxophone
George Coleman - alto saxophone
Tina Brooks - tenor saxophone
Kenny Burrell - guitar
Eddie McFadden - guitar
Art Blakey - drums
Donald Bailey - drums