Jimmy Smith - The Sermon! (1958)

The seven sides on The Sermon! (1958) come from a pair of studio dates, the first of which was held August 25, 1957 and includes Jimmy Smith (organ), Lee Morgan (trumpet), George Coleman (alto sax), Curtis Fuller (trombone), Eddie McFadden (guitar), Kenny Burrell (guitar) and Donald Bailey (drums). This was followed by a second exactly six months (to the day) later on February 25, 1958. Along with Smith, present and accounted for during the session were Lou Donaldson (alto sax) replacing Coleman in addition to contributions from Tina Brooks (tenor sax) and the ubiquitous Art Blakey (drums). From the '57 confab are the popular music standards "S'Wonderful" and "Blue Room". The former is given an unhurried mid-tempo workout as Morgan banters sublime licks with McFadden. Fuller's full round tones effortlessly manoeuvre "Blue Room" with the intimate trio of Bailey and Smith in support. The real essence can be heard in the variety of styles utilized in the latter gathering. An emotive "Lover Man" is punctuated by Donaldson's fluid leads behind Smith's heartfelt changes. This is sharply distinguished by the longer jams featuring Burrell, Blakey and mighty impressive blows throughout from Morgan and Brooks. They ride hard on the Bird classics "Confirmation" and an intense "Au Privave". Brooks' solos are much of the reason why each excels with such bop finesse and are best experienced rather than simply read about. "Flamingo" is a sumptuous ballad that allows Morgan and Burrell to trade some laid back lines within the context of an unencumbered rhythm section. Whether upgrading the mid ‘80s CD or discovering the platter for the first time, The Sermon! is a prime example of Smith and company's myriad of talents.
by Lindsay Planer at All Music Guide

Style:
Hard Bop
Soul Jazz

Tracks:
01 The Sermon
02 J.O.S.
03 Flamingo

Line-up:
Jimmy Smith - organ
Lee Morgan - trumpet
Lou Donaldson - alto saxophone
George Coleman - alto saxophone
Tina Brooks - tenor saxophone
Kenny Burrell - guitar
Eddie McFadden - guitar
Art Blakey - drums
Donald Bailey - drums

Don't Stop the Carnival

Billy Cobham / George Duke Band at Montreux Jazz Festival (1976)

Tracks:
01 Panhandler
02 Juicy
03 Red Baron
04 Almustafa
05 Ivory Tattoo

Line-up:
Billy Cobham - drums
George Duke - keyboards
John Scofield - guitar
Alphonso Johnson - electric bass

Ernest Ranglin - Below the Bassline (1996)

Below the Bassline is a successfully smooth integration of traditional reggae and jazz: two music forms that may not immediately spring to mind when contemplating the flawless mixture of music styles. However, the collective featured in this album — and Ranglin (a reggae and ska rhythm innovator) is a chief among them — plays 55 minutes of island tree-swaying, soul-backed precision. Ira Coleman's bass playing is not the focus of this album, even though the title seems to suggest so. Nor does the focus of this album fall upon the popular funk and fusion (and yes, even disco) drummer Idris Muhammad. In fact, there is only one brief drum solo by Muhammad on Below the Bassline, and it is the first thing you hear. Muhammad opens up "Congo Man Chant" with a snare-laden solo whose rhythm quickly involves Ranglin and Coleman, who collaborate to play eight bars of a rapid but laid-back bassline. Monty Alexander jumps in with the piano and brings Ernest along with him as they determine what ends up being the refrain for a moving piano solo sandwiched between two adept Ranglin solos. There are two ska rhythm selections on this album, "Ball of Fire," on which Roland Alphonso plays saxophone, and "Bourbon Street Skank," which features some of Ranglin's most dexterous playing (also heard on "Nana's Chalk Pipe"). The title track is immediately identifiable as reggae, with its organ stabs on the down side of the beat, Muhammad's gentle but consistent treatment of the hi-hats, Ranglin's lyrical playing on the guitar, and the overall slow, relaxed tempo and feel of the tune. It is an accurate capsule of Below the Bassline, another testament to the skill of the legendary Ernest Ranglin and the other musicians featured here.
by Qa'id Jacobs at All Music Guide.

Style:
Jazz Funk

Tracks:
01 Congo Man Chant
02 Surfin'
03 King Tubby Meets the Rockers
04 Satta Massagana
05 54-46 Was My Number
06 Ball of Fire
07 Black Disciples
08 Bourbon Street Skank
09 None Shall Escape the Judgement
10 Nana's Chalk Pipe
11 Below the Bassline

Line-up:
Ernest Ranglin - guitar
Monty Alexander - piano / melodica
Roland Alphonso - tenor and soprano saxophone
Ira Coleman - acoustic bass
Gary Mayone - percussion / keyboards
Idris Muhammad - drums

Penetration

Pharoah Sanders - Journey to the One (1980)

Formerly a Theresa double LP, this single CD contains all ten of Pharoah Sanders's performances from the sessions. As usual, Sanders shifts between spiritual peace and violent outbursts in his tenor solos. The backup group changes from track to track but often includes pianist John Hicks, bassist Ray Drummond and drummer Idris Muhammad. Sanders really recalls his former boss John Coltrane on "After the Rain" (taken as a duet with pianist Joe Bonner) and a romantic "Easy to Remember"; other highpoints include "You've Got to Have Freedom" (which has Bobby McFerrin as one of the background singers) and the exotic "Kazuko" on which Sanders is accompanied by kato, harmonium and wind chimes.

by Scott Yanow at All Music Guide.

Style:
Mainstream Jazz

Tracks:
01 Greetings to Idris
02 Doktor Pitt
03 Kazuko (Peace Child)
04 After the Rain
05 Soledad
06 You've Got to Have Freedom
07 Yemenja
08 It's Easy to Remember
09 Think About the One
10 Bedria

Line-up:
Pharoah Sanders - tenor saxophone
Joe Bonner - piano
John Hicks - piano
Ray Drummond - bass
Yoko Ito Gates - koto
Eddie Henderson - flugelhorn
Idris Muhammad - drums

Sonny Rollins - with the Modern Jazz Quartet (1953)

Included here are some of Sonny Rollins' earliest sessions as a bandleader. These are among the fresh and vibrant baker's dozen of selections on Sonny Rollins With the Modern Jazz Quartet (1953). The title is a bit misleading though, since the MJQ — with John Lewis (piano), Milt Jackson (vibes), Percy Heath (bass), and Kenny Clarke (drums) — is only accounted for during the first four sides. There is a playful and energetic tone that ricochets from Jackson's fluid vibes, landing firmly in Rollins' musical court. One prime example of this interaction is heard throughout the solos on the opening track, "Stopper." Similarly, "Almost Like Falling in Love" bops, weaves, and swings throughout, with some expressive contributions via Lewis, effectively linking Rollins' and Jackson's solos. "No Moe," which stands as one of the best originals on the disc, also bears their undeniable connection. Another not-to-be-missed reading is the sultry "In a Sentimental Mood." Here, Rollins spirals mature and ethereal lines against Jackson's resonant intonation and shimmer. If just for these tunes, Sonny Rollins With the Modern Jazz Quartet is a vital component in any jazz enthusiasts' collection. The rest of the disc is performed by Rollins and a quartet that also includes the talents of Kenny Drew (piano), the MJQ's Percy Heath (bass), and the main Jazz Messenger, Art Blakey (drums). On the original tune "Scoops," Blakey's hardball antics provide well-placed sonic interjections, punctuating Rollins' highly infectious melodic sense. While on the subject of catchy tunes, all ears should be directed to the biblically derived title "Shadrack," which had been a signature piece for Louis Armstrong. This early incarnation of the Sonny Rollins Quartet has rarely sounded as cohesive, as they collectively percolate with their definitive execution. Of particular note is the inclusion of Miles Davis' "I Know." This extension of Charlie Parker's "Confirmation" features Davis on piano accompanying Rollins with solid chord progressions, allowing the burgeoning player to lead his first-ever quartet with Heath and Roy Haynes (drums).

by Lindsay Planer at All Music Guide.

Styles:
Bop

Tracks:
01 The Stopper
02 Almost Like Being in Love
03 No Moe
04 In a Sentimental Mood
05 Scoops
06 With a Song in My Heart
07 Newk's Fadeaway
08 Time on My Hands
09 This Love of Mine
10 Shadrack
11 On a Slow Boat to China
12 Mambo Bounce
13 I Know

Line-up:
Sonny Rollins – tenor saxophone
John Lewis - piano (tracks 1-4)
Milt Jackson - vibes (tracks 1-4)
Percy Heath - bass
Kenny Clarke - drums (tracks 1-4)
Art Blakey - drums (tracks 5-12)
Miles Davis - piano (track 13)
Roy Haynes - drums (track 13)