Donald Byrd - A New Perspective (1963)

This unusual set (reissued on CD by Blue Note) was one of the most successful uses of a gospel choir in a jazz context. Trumpeter Donald Byrd and a septet that also includes tenor saxophonist Hank Mobley, guitarist Kenny Burrell, and pianist Herbie Hancock are joined by an eight-voice choir directed by Coleridge Perkinson. The arrangements by Duke Pearson are masterful and one song, "Cristo Redentor," became a bit of a hit. This is a memorable effort that is innovative in its own way, a milestone in Donald Byrd's career.

By Scott Yanow in All Music Guide

Styles:
Hard-Bop

Tracks:
01 - Elijah (09:21)
02 - Beast of Burden (10:07)
03 - Cristo Redentor (05:43)
04 - The Black Disciple (08:12)
05 - Chant (07:31)

Line-up:
Donald Byrd - trumpet
Hank Mobley - tenor saxophone
Herbie Hancock - piano
Kenny Burrell - guitar
Donald Best - vibraphone, vocals
Butch Warren - bass
Lex Humphries - drums

Jaki Byard - The Jaki Byard Experience (1968)

Pianist Jaki Byard and the wondrous Roland Kirk (here switching between tenor, clarinet, and manzello) were two of the few jazz musicians who could play in literally every jazz style, from New Orleans to bop and free form. If only they had recorded a history-of-jazz album. Fortunately, they did meet up on a few occasions, including this brilliant quartet session with bassist Richard Davis and drummer Alan Dawson. They romp on Bud Powell's "Parisian Thoroughfare," Thelonious Monk's "Evidence," "Shine on Me," and "Teach Me Tonight." Byard duets with Davis on his own "Hazy Eve," but best of all is the pianist's duet with Kirk on "Memories of You." This set was also reissued as half of the Roland Kirk two-LP set Pre-Rahsaan.

By Steve Huey in All Music Guide

Styles:
Post-Bop

Tracks:
01 - Parisian Thoroughfare (10:05)
02 - Hazy Eve (04:34)
03 - Shine on Me (04:16)
04 - Evidence (04:24)
05 - Memories of You (07:13)
06 - Teach Me Tonight (05:23)

Line-up:
Jaki Byard: piano
Roland Kirk: tenor saxophone, manzello, clarinet, whistle, kirkbam
Richard Davis: bass
Alan Dawson: drums

Rahsaan Roland Kirk - I Say a Little Prayer (1969)

Jimmy Smith - Jimmy & Wes: The Dynamic Duo (1966)

Creed Taylor matched two of his most famous artists, Wes Montgomery and Jimmy Smith, on this session (Montgomery's last for Verve), and the results are incendiary -- a near-ideal meeting of yin and yang. Smith comes at your throat with his big attacks and blues runs while Montgomery responds with rounder, smoother octaves and single notes that still convey much heat. They are an amazing pair, complementing each other, driving each other, using their bop and blues taproots to fuse together a sound. The romping, aggressive big band charts -- Oliver Nelson at his best -- on "Down by the Riverside" and "Night Train," and the pungently haunting chart for Gary McFarland's "13" (Death March)" still leave plenty of room for the soloists to stretch out. "James and Wes" and "Baby, It's Cold Outside" include drummer Grady Tate and conguero Ray Barretto, with Smith's own feet working the organ pedals. The Verve Master Edition reissue also includes an alternate take of "O.G.D." with Tate and Barretto, a track previously surfacing on a long-gone Encyclopedia of Jazz anthology LP from the '60s -- a neat bonus that makes this the preferred version.

by Richard S. Ginell in All Music Guide

Styles:
Crossover Jazz
Hard-Bop
Soul

Tracks:
01 - Down by the Riverside (10:02)
02 - Night Train (06:48)
03 - James and Wes (08:13)
04 - 13 (Death March) (05:22)
05 - Baby, It's Cold Outside (06:05)
06 - O.G.D. (aka Road Song) (05:13)

Line-up:
Jimmy Smith – Hammond organ
Wes Montgomery – guitar
Grady Tate - drums
Jerry Dodgion - alto saxophone, clarinet, flute
Bob Ashton - tenor saxophone, clarinet, flute, alto flute
Phil Woods - baritone saxophone, bass clarinet, flute, alto flute
Clark Terry - trumpet, flugelhorn
Jimmy Maxwell - trumpet
Jimmy Cleveland - trombone
Tony Studd - bass trombone
Jerome Richardson - clarinet, alto & tenor flutes
Richard Davis - bass
Ray Barretto - conga, jingle bells

Milt Jackson - The Big 3 (1975)

This CD (a straight reissue of the original LP) features a rather notable pianoless combo: vibraphonist Milt Jackson, guitarist Joe Pass, and bassist Ray Brown. These three masterful players recorded together in many settings during the Pablo years, but only this once as a trio. The colorful repertoire (which ranges from "The Pink Panther" and "Blue Bossa" to "Nuages" and "Come Sunday") acts as a device for the musicians to construct some brilliant bop-based solos.

by Scott Yanow in All Music Guide

Styles:
Post-Bop

Tracks:
01 - The Pink Panther (05:52)
02 - Nuages (07:26)
03 - Blue Bossa (05:03)
04 - Come Sunday (03:12)
05 - Wave (06:50)
06 - Moonglow (04:57)
07 - You Stepped Out of a Dream (03:58)
08 - Blues for Sammy (06:25)

Line-up:
Milt Jackson – vibraphone
Joe Pass – guitar
Ray Brown – bass

Cedar Walton - Eastern Rebellion (1975)

This CD reissue brings back a classic set featuring four giants of the modern mainstream: pianist/leader Cedar Walton, tenor-saxophonist George Coleman, bassist Sam Jones and drummer Billy Higgins. All five performances are noteworthy, particularly a definitive version of Walton's most famous composition "Bolivia," Coleman's tricky "5/4 Thing" and Jones's boppish "Bittersweet." The veteran musicians all sound quite inspired on this advanced straightahead set. A gem.

by Scott Yanow in All Music Guide

Styles:
Hard-Bop

Tracks:
01 - Bolivia (10:10)
02 - Naima (08:38)
03 - 5/4 Thing (07:55)
04 - Bittersweet (06:54)
05 - Mode For Joe (07:41)

Line-up:
Cedar Walton - piano
George Coleman - tenor sax
Sam Jones - bass
Billy Higgins - drums

Rahsaan Roland Kirk - The Return of the 5000 Lb. Man (1976)

The Return of the 5000 Lb. Man was Rahsaan Roland Kirk's first album for Warner Brothers, recorded before the stroke that impaired him. Kirk is at full creative and musical strength. These seven tracks are an utter astonishment. Kirk's playing of saxophones, harmonica, flutes, and euphonium is deep, soulful, and even profound in places. "Theme for the Eulipions" (which opens the album), "Giant Steps," and "There Will Never Be Another You" features an all-star band that includes Charlie Persip, a young Hilton Ruiz, bassist Buster Williams, Romeo Perique on baritone saxophone, and Howard Johnson on tuba. The version of "Sweet Georgia Brown," with its wacky percussion and whistling, is so utterly joyful and funky it's perhaps the definitive jazz version of the tune. But it's the readings of Minnie Riperton's "Loving You" and Charles Mingus' "Goodbye Porkpie Hat" that take the album to an entirely new place. They are, though very different from one another, so utterly moving and aesthetically beautiful, they elevate music to the level of poetry. This is one that's utterly necessary for fans, and a very fitting intro for the novice.

By Thom Jurek in All Music Guide

Styles:
Modal
Modern Creative
Hard Bop

Tracks:
01 - Theme for the Eulipions (09:30)
02 - Sweet Georgia Brown (04:47)
03 - I'll Be Seeing You (06:09)
04 - Loving You (04:49)
05 - Goodbye Pork Pie Hat (06:22)
06 - There Will Never Be Another You (05:09)
07 - Giant Steps (06:12)

Line-up:
Roland Kirk: tenor saxophone, manzello, stritch, clarinet, flute, harmonica, euphonium
Howard Johnson: tuba (tracks 1, 6 & 7)
Romeo Penque: baritone saxophone, oboe (tracks 1, 6 & 7)
Hilton Ruiz: piano, celesta (tracks 1 & 4-7)
Buster Williams: bass (tracks 1, 6 & 7)
Charlie Persip: drums (tracks 1, 6 & 7)
Joe Habao Texidor: percussion, vocals (tracks 1 & 4-7)
Betty Neals: recitation (track 1)
Maeretha Stewart: vocals (track 1)
Hank Jones: piano (track 2)
Milt Hinton: bass (track 2)
Fred Moore: washboard (track 2)
Wilton Eaton: whistling (track 2)
Trudy Pitts: organ (track 3)
William Butler: guitar (tracks 3-5)
Bill Carney: drums (tracks 3-5)
Arthur Jenkins: keyboards (tracks 4 & 5)
Matathias Pearson: bass (tracks 4 & 5)
Jerry Griffin: drums (tracks 4 & 5)
Warren Smith: percussion (tracks 4 & 5)